Friday, August 27, 2010

By Cybele Moon

4/19/99
Nights
Train Car Full
We move
Slowly
One stop/next
Look out
River glistens/glitters
Reflecting jewels:
Street lights/offices at dusk/neon signs
Peace
In the rhythm
Takes me home

3/1/99
The moon is almost full
The sky glows w/ fairytale clouds
A brilliant azure at 1am
I have lit candles
I have buried you tonight
Stained, painted, varnished
Dyed and ripped
Wrapped and tied 
Each item that you sent
I have closed the lid
3 screws I have fitted
I bury you now 
to allow my love
To fade
10/98
It makes me wonder, Lord,
How far we have to go/ how deep it has to be
Before we come back into our own/
Our most whole selves.


By Mark Gonzalez



Autumn In Alaska           
As a kid, my father and I spent our autumns cruising his 1971 Avocado Green Dodge Pickup Truck down the one lane highway that connected our home to the four hundred people village we called a town. Two miles down, we’d take a left turn on a lightly paved road full of potholes that led into the forest. At one point, the potholes would overcome the highway, leaving patchworks of concrete, till eventually the road ended, the truck stops, my Father and I would walk underneath leaves turned rooftops among willow trees and pinecones- bonding like trees to bark- building this log home called family.
     What Lies Beneath Concrete?
            In LA, freeways are everywhere; children use traffic jams as alarm clocks and horns as roosters. They say highways connect us, make mobility accessible, ancestor to the Web, bringing us all together. Yet in East LA concrete meets where people are divided. The 5 intersect the 10, to the 110 to the 710 while homeless make friends under overpasses, as we pass over these slaves never allowed to leave Egypt or Pharaoh; a communion of commuters and heaven is hitting a carpool lanes at 80 miles an hours during rush hours.
Yet flashback twenty years: A door is knocked- eviction notice given, a home is bulldozed, the cement is layed over the grave, a new freeway is built. Nature turns city turns suburb is the Native American settlement- no tee pee keys to where around our necks- memories are destroyed, rubble reduced to gravel mix with water to create cement.
Excess turned into Wal-Mart Parking Lot with a Starbucks in the left corner; and left over pavements turns Earth to asphalt to basketball courts so you have more of a connection with rims, Timbs, and Jordan’s than they do the land, then we wonder why they’re used to jumping through hoops.
Throughout the Southwest the U.S. destroys Indigenous Land by separating tribes with railroads transcontinental, turned trolley.
In Palestine, Israelis mimic Manifest Destiny- annex land by building settlements than build freeways to connect them deploy soldiers to protect them, as for Visas they reject them, build a wall that began in Berlin moved to Jerusalem now ends on the border of Juarez that my grandparents crossed to reach land they once owned.
Nana, Baba, Abuelito, grandpa, elders- names like a language we forget to speak, till it no longer rolls off our tongues. Tombstones become abandoned like lots, cemeteries bought then sold, bulldozed, paved, repainted- the highway is mans way of colonizing the environment- and freeway begin in Brooklyn, now stretches through Haiti, left turn in Hebron, a stop in Constantinople and end in Nepal.
And who amongst us knows how to give directions without using a road.
What Lies Beneath Concrete
  beneath the gravel scars on our hands, the asphalt stains on our feet
     beneath the streets, the dirt- is it roses or bones, bullets or homes, family, memory, or both
We are spiritually disabled, amputees from the land, and the automobile is our SUV turned wheelchair-
yet when there is no more oil we will walk
  when the cars no longer run we will walk
 when the world runs out of road we will walk
        homoerectus, straight spine and find our way home to the land they’ve banned us from.
 When we arrive pickaxes will make potholes bigger and shovels will uncover the memories they’ve buried-
of home, heritage maize dances, depka, turquoise temples and clay windows,
underneath skin are bones; underneath concrete are homes before borders bulldozed our masjids, temples, and thrones,
Yet even occupied we survive as flower- Rebellious roses whose rage is the thorns that were born to prick those who walk on our stalks or pluck our land with their hands.
For flowers are fertilized with our ancestors skeletons, learn their names-
larkspur like Lakota, thistle, mistletoe, Shashawnee, Chimuevey, Palestinian, Haitian, Cuban, Nepalese, Bangladeshi,
Use the mountain as your tombstone, so I may climb to the summit of your soul and weep in your honor.
like in Palestine, when I stood in a refugee camp outside Jericho holding an abandoned half buried sneaker, imagining what became of the leg it belongs to.
Picturing children playing sand box, gravel road soccer 
checkpoint fire rings out, he runs, bullet hits leg, sneaker falls, limb amputated,
and only one shoe is needed if a youth has only one foot.
As settlement are built upon his refugee bones
like these suburbs are built upon my Native tombstones,
my people, paved over by progress
grave markers turned freeway signs
What lies beneath concrete-?
we do,
so tread carefully
for I’ve seen what a forest can do to a freeway
what a pothole can do car
what a people can do to a checkpoint
what God can do to a government
and you never now whose ancestors bones you may be treading upon
when tires blow out
when buildings blow up
we are the beautiful flower people you called weed
pave the world
even rose will grow through concrete
and as my father and I collected firewood under tangled tangoing branches
as the leaves change their garments from green to copper, to grey
as they fell from rooftops to floor
I would ask my father what became of all the trees when winter had covered them. He would tell me that the snow may cover the leaves for a season, yet in spring everything white turns to gold and brown then green like his Dodge 71 pickup truck, like the color of soul before it turned greed. Green like the color of the earth before there were streets.
And so shall we.
Moving like my father and I when we ran out of gas
Children when they’ve found a map
Refugees when they’ve found the key to the gate that’s barricade their roads
Finally walking
home 

By Diego Garza

By Joshua Parr


A dense drop of tropical rain stung my chest. I stopped running, and watched as it rolled down my chest.

While glorious to feel fast, and strong, it was more glorious still to feel relief.

purity of clouds
verdant rolling jungle in all directions
aeons of natural song

As a child in a bedroom, a messenger had whispered the secret to life into my dreaming ear and I woke, grasping for the answer I had been given, but it disintegrated and was gone.

Now, with a single drop of rain slithering across nerve endings, came a subtler truth; that there are great conspiracies for life that nothing will turn back, life that has made all that is beautiful, and all that will be.

By Sam Breen


it's trite to say it fits in a box. it fits in a box. maybe two. but puking broken levies can't touch 'em. squeeze through a window cracked open and there they sit. unscathed. I can't don't want to unpack. so my walls are blank. i have two shiny prints (blue, green, red victorian houses stacked hapazardly on top of one another) rolled and stuffed tightly together into a tube. will they ever flatten out? I won't let them.

By Hannah Kim


Thump thump thump ...

It's dark. I try hard to open my eyes but I can't see anything. All I can hear is the constant pounding of my heart.

One, two, three, stop. Thump thump thump ...

My heart beats irrationally. I don't know why but I feel so cold. Yet, my body is speaking the opposite. Icy sweat drips down the sides of my face. Hot like molten shards of metal or glass. In the darkness I can picture my hands moving but in reality they are immobile. My frozen hands still trying to wipe the hot-cold mixture of sweat off my face.

Somewhere far away I can hear the clock ticking second by second. While the world moves at a normal pace, I am begging and praying for time to slow down. For time to stop for me and only me. I try to move my hands again but they aren't moving. I try to move my feet but they're also frozen in place.

My head is spinning with thousands of thoughts running around, around, and around. I try to take control of my mind to force my body to move. Like a robot I'm looking for the remote control buried deep inside my head. Nothing seems to be working now. I want to give up.

No!

Lets try one more time.

I try opening my eyes again.

This time I'm met with a mixture of rainbow colors.

By Marcus Pontello


Going to Cal Arts holds a very special place in my memory, identity, and future as an artist.  The past four years of my life have been the most creative, nurturing, artistic, and intellectually stimulating years of my life.  In honor of my graduation, my family threw me a party in July.  My entire family attended, as well as some close friends from home.  I had been excited about the party for months, but got very nervous the day of.  I realized that all these people were here to support me in my college accomplishments.  While this was a gratifying feeling, it was also upsetting.  None of the people whom I experienced my college education with were at the party.  Cal Arts has such a strong community, and I felt (for the first time) taken from that community.  It felt strange celebrating my graduation without the special people that were so much a part of my four years in school.  When it came time to do a champagne "toast", I broke.  I shed tears in front of my entire family, something I had never done before.  I thanked everyone for coming, and told them how important my education was.  I was in a hybrid of feelings; sadness for the missing people, and joy for the loving family that stood around me.  I felt wildly exposed and vulnerable.  I didn’t expect anyone to fully understand what Cal Arts meant to me, but in that brief moment in time, I feel that they did understand.  I also felt like I had gone through a subtle change in life.  I felt like I had matured, or four years of maturing had finally sealed itself in that moment. 

By Sayda Trujillo

"Va a crecer la quebrada!" "Ahi viene el agua muchá!!" my cousins and I screamed up and down the uneven road of El Barranquillo, my mother's village, outside of Sanarate, Progreso in Guatemala.  There, rain poured during rainy season.  It poured and we the children loved it, I loved it.  I lived with my grandmother and I remember one day the rain came while we were at church, I went to church with my grandmother and my aunts and my cousins every night for the rosary.  When we exited the church, the road had become a river, a chocolate brown river.  I remember joy, awe, happiness.  I was around seven or eight and the water came all the way up mid my thighs. We walked home, we walked up the road, which was now a river.  It was night time and El Barranquillo had no electricity.  I remember walking at night with only the light of gas lamps and candles from the homes we were passing by and the occasional light from thunder.  I love this memory.  When we arrived home, we sat on the porch, I swung on the hammock and more rain came and we sat there and we listened to the rain.  


By Allison Behrstock

By Peter Jensen


IN MY DEFENSE

He was captain, a natural born leader. I was his trusted confidant in combat. I gave
everything I had to protect him as he commanded the defense. But he was tired. Tired of
the competition, of the time and dedication it took to compete at such a high level. He
was tired and wanted to go to the prom the same weekend the rest of the squad insisted
on leaving town that to play a tournament in Kansas City. He was stuck between his
commitment to his team and a desire to make memories with a beautiful young woman, a
vintage navy blue tuxedo, and a Triumph TR250. So he made a wish. He summoned an
injury. Just a small one, something where he could miss the tournament, go to prom, and
continue playing afterwards. It was so simple. One tiny little weekend injury. No injury
came, so he came up with a compromise: He would go to prom, and catch a plane early
the next morning, in time for the first game. Prom was marvelous. After sushi, dancing,
and tooling around in the Triumph, they went to a party and got plastered. So much so
that when it was time to leave for the airport, he could barely walk. He was not his
complete self until after a weekend long hangover and an early exit from the tournament.
The following Tuesday, league-play continued. I could never have prepared myself for
what was about to happen. It was a routine maneuver. A long ball came in. He jumped,
with my support of course, and headed the ball away. Upon landing, the opposing
forward ran right through him. The rest of his body went back with the blow. I got
stuck. RIP. POP. SNAP. I never knew I could scream so loud. I couldn’t help it. The
weight, the stress of it all was too much. He screamed in pain. I began to swell, and
blacked out. When I came to, I knew I would never be the same. Upon receiving the
MRI results, he wept. A completely torn Anterior Cruciate Ligament. I was broken, and
needed complete surgical repair. I would never be able to hold him the way I used to.
His competitive career was over. I have never forgiven myself for letting him down. In
my defense, he did ask for it.

By Roman Jaster


Two Brothers

Lights out. It’s past bedtime. Not one more word. But we’re not tired. Got an idea. Let’s throw apples. You get them. No you. I got them last time. Okay. Open door carefully. There’s still light in the living room. TV’s playing, with door cracked open. Could pretend to go to bathroom. But apples are in kitchen. Which is closed. Door creaks when opened. It always does. Careful, careful. Quick, to the fridge. Get a handful of apples. Grandpa brought them yesterday. Handpicked from the garden. Every day we take one to school. But tonight they serve a higher purpose. Back in our room. Open the window. Anybody walking by? Not yet. Waiting. Four stories above ground we can see most of our street. There. Somebody is walking. But, no, they’re going the other way. Damn. Noise in the hallway. We talked too loudly. Jump back into beds. Door opens. Pretend to sleep. Words of warning. But the door closes and soon we’re back by the window. A man walks right below us. Where are the apples? There. Take one. Throw. Bang. It lands right behind him. Haha. Take cover, duck, snicker. That was fun. Slowly rise to the window. He’s gone. Let’s look for someone else. A group of people. Still two blocks away. Let’s throw two apples at the same time. Almost close enough. Take aim, almost, almost… shit. Door opens. We’ve been caught. Run back to beds. There’s yelling. And the cooking spoon appears. Brother is first. He always is. Because he’s older maybe. Or because he’s closer to the door. Sometimes they stop after him. There is hope that I will be let off. But now the spoon arrives at my side. Loud slapping sounds. It stings. Tears roll after we’re alone again. Brother tries to establish contact. Should we laugh it off? Sometimes that works. And on we’ll go. Throwing stuffed animals across the room. Or wrestle. Pin the other down on his back and squash his underarms with knees. A good fart always helps. But not tonight. The tears have made me sleepy. Slumber comes. Dreams. Two giant red apples dancing around a sagging cooking spoon.

By Alfredo Miranda


 Purple, lifeless, strangled by the cord that provided life for 40 weeks. My daughter didn't make a sound. I stood there watching, trying not to look to frighten by the situation in order to keep her mother calm. The doctor and nurses noticed that I knew what was going on and was trying to keep cool. They quickly handed our newborn to a specialist who began CPR. The nurses were focused on keeping the mother calm. I watched as life was brought back into the lungs of our newborn, then a cry. The sweetest sound I could ever imagine, the sound of Life. Fatherhood, when does it being. Is it when you find out your partner is expecting or when you can finally hold your newborn in your hand for the first time? I don't know, but I do know is that every day I see my daughter and witness the expression of joy on her face when she sees me, reminds me of that moment in the delivery room. Standing, watching, hoping, praying that I could hear her cry for the first time.

By Ari Kletzky


Four Alarm Call

“I need the budget done by noon!”
My boss told me, “He’ll be here soon!”
I hear him yell inside my head
And check again, what was in red,

As a siren blares beyond my sight.
Could it be a firefight?
The muffles quickly grow distinct:
Huge tires whirl on down the street,

Horns blow in boisterous intervals.
Off to the side a driver pulls,
A man and woman turn around
While lights flare up and down.

In a park a child drops
Her shovel and stand ups,
Waves her hand and lifts her head,
A mutiny of engines red

Roar. The windows vibrate
In my office as the waves
Of sound hit the glass. 
Horns point down a street jam-packed

And clear a path like lights
On my car do in the night
Through the dark. And faster
Than came the sounds that I first heard

When I was then before the horn,
The noises quickly went.
Minutes went…they disappeared?
No, their yells I am too far to hear.

A fireman’s back and chest expands
As he prepares to hoist a tank,
The captain signals that she’s sure,
A soot-faced child screams a-stir
And in they run to brawl with nature….

The phone rings, “bring me the budget!”
I take what I have finished
To a man whose eyes are stern
As the distant buildings burn.

By Nicolas Kello


I remember walking out of the front door of my building in the mid-morning and being struck by the warm sunlight rays penetrating the crisp and cool air of a late winter day.  The sky was pristine and it’s hues of light blue, strewn with a few delicate brushstrokes of white, seemed to carry with it a sense, both of its utter timelessness, and the freshness and uniqueness of its current formation.  It was a new day, and everything, from the leaves of the trees scintillating in the light, to the purity and clarity in the air, spoke of novelty.   There was a sense that hidden in the playful geometry of shadows and sunlight, pavement and sky, stillness and movement, there lay an infinite array of possibilities - an infinite potential for life and creativity.  I walked to the corner of Harvard and Commonwealth avenues, to wait for the train, a broad smile taking shape on my face, as I greeted the crystalline day with a sense of gratitude and willingness.  It was an utterly invigorating Monday morning.
An almost involuntary desire formed in me, as I boarded the train, to revel in this sense of gratitude and beauty with others.  I looked around, smiling, casually searching for that commiserating smile, but was met with averting eyes, tired, sullen faces, and what seemed to be a thick and viscous air of drudgery, sprinkled with an almost imperceptible layer of anxiety.  I suddenly noticed that to everyone else in the train, it was nothing more than Monday morning – the doldrums of a day lived in that habituated effort of re-encountering the work week.  It seemed that nothing could break this spell of alienation and boredom.
As the train made its next stop, the doors opened mechanically and people walked in just as mechanically.  Caught in the indiscriminate gaze of their downward glances, they filed in and proceeded with the automatic ritual of finding a place to sit or stand.  At that moment, like an avatar from another world, a confused and flustered pigeon flew in through the doors and, finding itself in an unknown and unexpected place, stood facing the inside of the train in an obvious state of shock.  It was standing on the edge of the step, with its back to that very world of sunlit skies and crisp air it had just come from, but it couldn’t seem to understand how to get out of its present predicament.  It just stood there motionless and visibly perturbed; its vibrant, animal nature in stark contrast to the drab human atmosphere it presently encountered.  Suddenly, as it was evident the doors of the train would not remain open for much longer, the people in the train, (who just a few seconds earlier had been completely estranged from one another), began to share an obvious concern.  A few furtive glances were exchanged, as the inward, cyclical reveries their minds had been indulging in quite happily until then, collapsed into the immediacy of the present moment.  There was both an obvious and felt sense of compassion for the bird, as well as a practical concern for the situation itself.  An older woman then spontaneously stepped forward and, gently cupping the pigeon in the palm of her hands, pushed it back softly until it’s instinctual reflexes took over and it flapped it’s wings rapidly -- so that, just as instantaneously as it had arrived, it turned and disappeared back into the blue, fresh morning air. 
For the remainder of that train ride it seemed the spell had mysteriously been broken.  A natural lightness and warmth had taken over the whole atmosphere; and people who had previously been separated by an invisible yet impenetrable distance, now seemed to sharing the experience of the train ride together, making eye contact with one another and offering smiles of silent acknowledgement.  It was in that moment that I realized that any lasting and positive change in this world would not come about at the hands of another violent revolution, but only through the small and imperceptible acts of awareness and kindness of everyday people -- acts which would arise out of the same growing sentiment which they would ultimately and gradually reinforce:  a sense of our unavoidable, and global, interconnectedness.       

By Monica Hicks


Dear Monica,
      I write to you because you're gone. You've died, and will need to be reminded of some very important things that you may not recall once you're alive again. Sometimes I wonder if the reason I gave up is because I realized that I could not give up more deeply than I have today. I wonder, simply wonder, that if maybe, just maybe I had given up sooner, I wouldn't feel so triumphant about giving up. I learned from you that when your hands are tied, and you really want to walk away, you don't. Not when you said you wouldn't.
       I made so many promises. Some I didn't keep and never intended to. Some I did keep, through pure stubborn denial. Some I didn't keep because I just couldn't. Some I did keep, because it was the right thing to do.
       I won't be making anymore promises. I suggest you don't either.
       I died today Monica. Everything I thought I was is gone. Everything I thought I could be is gone. It may not surprise you that I have died several other times before in this relationship. Everything I thought I was strong enough to outlast is gone. I don't have to outlast it anymore.
      How triumphant is that?  Very.
      I don't care to tell you what he said to me, or what I didn't say to him. Just know that I gave up. I stopped listening. I stopped talking. I stopped pretending. I stopped giving up. I gave up on giving up. The triumph is mine.
      What will your triumph be?

By Megan Broughton


This is my living room: the one with the hot lava floor G. gamely challenges me to jump across on a trail of cushions without falling. Behind me, in the carpet, I sense the weighted imprint of the couch that was our safe destination. Except now our things are pretzeled together in a yellow moving truck and I am wobbling through a strange sea of things that are nearly not-there, fingerprinting the surfaces with my wet thumb to outline the edges. Below floating tabletops, I peek through layers of glass that unfold up and continue down. Some are clear, some sparkle, and other points are erased by light from an open doorway. I know where I am, but not what surrounds me. My fresh eyelashes sun-frame the transparent newness and I realize that what was mine is now someone else’s. Two women monument my vision, but I don’t see their eyes, just their teeth telling me not to touch, their muted bodies, and the multilevels of glass between us: beneath them, above me. My family had solid things in this room that you couldn’t see through. Now these invisible tables, jars, and decorations confuse me. Who lives like this? How do they see what they own? I tell my parents, “Don’t leave without me.” I don’t know how to live with so much delicateness.

By Francesca Penzani


I was around 15/16 years old in Bergamo Italy; at times during the day or in the middle of the night, i used to lay down on the bed or walk around my family apartment, looking out the window and watching the tall church tower and the bells that played every 1/2 hour. Time passing by and i was fantasizing to be free, to travel, to see the world and learn other cultures, doing theatre and may be dance ( i had never taken dance classes before, so i was really dreaming....they said that to be a dancer you had to start early).
Somehow I had the urge that I had to leave my country and my culture to dare to do what I desired. To break out free from conventions, expectations and limitations.
My heart was crying that I didn't want to leave my mom, my friends, and some of my family.
But my heart was also pounding so strong....... and deep down I knew I had to leave. I didn't have any other choice.

By Jeff Barber

BAD MEMORIES
in no particular order


The first time I realized that I was not attractive really stunk.  The second, third, and 100th time did too

My Ear My Ear… not again… my ear my ear… flick flick.. laugh
Nerds get it the worst.  We should have an incredible resistance to pain (physical).. Sadly, neither

Wyatt’s last day and my first day without her

Falling ice cream from a cone. No refund

Finding out that my former best friend was arrested for child molestation

“If this is going to be the same for the rest, then I don’t want it”
  1. dentist chair
  2. first wisdom tooth removed out of four


“We need to let you go”


Realizing, yet again, that I have not found love
  1. Where are you? 
  2. Where is it? 
  3. Hello?


Why did the handle bars have to come out of my bike right as I left the jump? 


Tequila, Halloween, 1998

Home, July, 2010

Dad, July 2009

By John Souza


On the morning of May 18, 1976, I was in a deep sleep, dreaming that my father was on his hands and knees at the doorstep of my second-level apartment. He was naked, beating on the front door, fiercely knocking, pounding. I could see him clearly as though the solid wood door to my apartment was transparent. Begging me to let him in, he cried out, “Johnny! Johnny! Please let me in!”

I turned the doorknob counterclockwise and then clockwise—back and forth—repeatedly from the inside of my apartment. I pulled forcefully on it over and over, trying, somehow, to pry it open. But nothing worked; the knob just slipped through my hands. I couldn’t open the door. It was absolutely impossible to budge. The sound of my father’s pounding got louder and louder.

As I woke up from the dream, I was sweating. The additional sound of a ringing telephone filled the air. I looked at the clock (it was exactly 6am) and picked up the telephone receiver. My younger brother, Armand was on the other end of the line. And, in a quivering voice, he told me “Dad died last night…you better come over here.” 

By Joseph Imhauser


It was her first visit in five years. I had grown up since the last time she had been here and it felt like she was here to save me one last time. A cross-country road trip with my mother was not something I had foreseen, but I was looking forward to the time spent with her. During the week she stayed with me I wanted to show her who I had become; I wanted her to take pride in meeting the man I turned into and seeing how I had matured. My intention was for her to experience my life as she had when I was a child; a gesture to bring us closer together. There were car problems as we began the drive and instead of taking the risk we decided to ship my possessions and I sold my car. The next morning she bought a plane ticket home. 

By Melissa Shepard


When I think of a time that marked the ending of a chapter and the beginning of a new one in my life, I’m reminded of the last job I had as a psychotherapist. One afternoon more of many that were filled with anxiety, exhaustion, disillusionment and sadness I closed the door to my office and began crying uncontrollably. The more I cried, the more I felt a release of a heavy load that I refused to carry anymore…I needed my heart to feel free to experience my life’s work joyfully…as nature intended it.
As I often do during a time of reflection, I reached for a notepad to “cry on paper” by writing my thoughts and feelings. Interestingly, I found myself writing a list of “what if…” allowing lavish ideas to fill in the blanks and, gradually, began feeling enthusiastic and ready to ask more questions. Then, wrote all qualities I could think of that would support my new intentions, my new thoughts on where and how I could give of myself and feel like I’m in my creative zone. Lastly, I wrote the resources around me that could assist me in the process of taking my life in a direction that feels true to who I am. No more tears flowed and the sense of “I can” grew stronger. The decision was made and no external circumstances could derail it!
When I re-opened the door to my office, I was back to my Self. I chose to live my life, as if I’m already in a new place…even eliminated some things from my office over the course of weeks to enhance the feeling of moving to a new place before finding it. What a great trick! , I thought, and it worked because no matter what was going on in my work environment I had risen above it. I felt good and the annoyances were seen for what they are: temporary.
In the course of creating the conditions in my heart and living space to receive a new experience, I focused on returning to a routine of taking care of myself, which had gone by the wayside in “caught-upness in the land of burnout”. My job search was filled with enthusiasm, instead of angst…just flowing with it, knowing that I’m on my way. One day, of course, appeared a beautiful opportunity to serve my gifts in a creative environment…Thank goodness for quietude and alertness because, finally, I’m living like a plant in the right soil. Amen! 

By Donna Golden

By Matthew Shenoda


Every time I look to the sea
I am reminded of my own humanity
Every time I shuffle my step
I recall everything that is left


Matthew Shenoda, from Song of Remembrance

By Dorit Cypis


March 2, 2009

But a memory now still vibrant in my body, I recall standing at Ella's bed, at one end from where I could see her from the vantage point of her feet ...up to her head. I never saw her body before in this way. The blankets and sheets were withdrawn so that I, and a homecare nurse could bathe her body with wet and dry towels. We had just finished and this was a moment of a quick gaze before wrapping her body back in the sheets and blankets. Ella, a dignified woman always, was naked, beige skinned, tranquil in sleep, or perhaps something more than sleep. She was unaware of my gaze, or perhaps not unaware but surrendered.

My eyes started from her feet and caressed her form slowly, upwards, accepting the silence that was to be permanent. Upwards, across her belly, torso and breasts, forms that I had never been this close to ever before, I was calmly stricken with an awe I can barely explain. Her flesh, that for so, so long, had been foreign to me, her daughter, distant, hidden, even repulsive, was now like an innocent maiden's, a virginal young woman before child bearing, smooth, relaxed to a cell, open, becoming.... How could I have missed this? Oh how I had missed this. Slowly upwards, towards her face, my eyes teared with a moisture of sweet recognition at her lips, so quietly closed without need to form words, words that were always tumbling out of her mouth. Her lips were lucid, arrived, content, her eyes so mellow that I did not feel in them a past history of pain. The pain was gone, utterly gone. This was milk to my eyes, now drinking in innocence, peacefulness, finally, love.

By Jahcobie Cosom


Metempsychosis
 (Dedicated to Gloribi Ruiz and Jessica Estelle Huggins)

Nostalgic innocence began with Toy Story in 95’-
and succumbed to death with Toy Story 3, tonight- a decade and a half later.
In between the slug there were moments of:
culture
beauty,
lust,
triumph,
death,
then disease.

My mind broke, before, like Mr. Potato Head- into pieces, making it then possible for me, to be forced to sit in solitude, trapped within myself.
All of the other seats were filled with emptiness so I hazardously accepted the familiarity of my own existence.

Later, basking affected- I tilted my seat back.
After moments of silent words, driving down McBean-
I wanted to dance to the beat but my knees shifted petals uneasy.-
So I prayed, and prayed. Like I pray everyday!
That with the coming of mind and it’s clarity,
may come my body, and may my soul one day dance (like david) with the lord in the spirit of another man.

My skin hangs, lowering day by day reminding me that I can never run free from 20 years of morbidity.

However, like my best friends I can “glow” and be “divine”, indulging in the light of maturation with silence dancing by my sides.
Resilience began in 90’ and still burns- something that can never die.

By Jack Heard


It was quite dark in your house, which it normally is in late November, which it was.  You sat on the sofa wrapped in your Mexican blanket.  I only know it was that blanket because I had been to your house and seen it in the summer light a great many times.  But as I said, that evening it was quite dark and the only light came from a candle that was sitting atop some books on the coffee table in the middle of the room and dripping hot wax all over the oriental cloth that your mother loved so dearly.  You moved the candle off the cloth, for your mother, and onto one of the great tumbling stacks of hard cover books that sat all about your house.  But the slick plastic covers that some librarian had bound the books in ages ago, and the less than subtle slant of your living room floor, had cause the wax to roll across the cover of “Indians of the West”, down the sides of “Organic Gardens in Temperate Climates” and the “Just-so Stories” and back onto your mother's favorite oriental cloth.  In a fresh spot no less, near the center.  All this escaped your notice, and well it should have because you were no more than nine and a quarter at the time and maintaining the appearance of things was something you took no part in, but busied your mother endlessly with.  The fact is that the kind of care that your mother showed her oriental cloth was a variety quite foreign to you.  It was not that you were unable to care for things, as the stuffed rabbit under your arm could attest, but rather that when you did care for a thing it was by getting it dirty and torn and clotted with wax.

I would like to digress a bit if you don't mind, and remind you of the time, quite long ago now, but not entirely erased from your memory or your character, when you cared for all things, or at least all the things that you knew of, so profoundly that you had to lie to yourself just to make a decision.  A time when your decisions were not based on your own feelings, but on the feelings of the often inanimate things you were deciding between.  You may scoff now, but this is precisely why I remind you.  I can remember quite clearly how you wanted that last bit of strawberry kiwi slushy slopping about at the bottom of the vendor's machine, but asked our mother for the wild berry instead.  You didn't do it to give others a chance to have the last cup, as there was hardly ever anyone else there, but because the berry blast looked so lonely and rejected in its fullness.  And I remember even more clearly how you tried to re-write history when your mother insisted you choose the one you really wanted.  You told yourself that wild berry was in fact so popular that it had been refilled only moments ago, and the strawberry kiwi had been churning nearly empty for weeks.  Certainly if this was a possibility, no harm could be done in choosing the latter.  Oh, what a slave you were to the feelings of others.
Now, if you don't mind terribly, I'd like to draw your mind back from the slush-puppy vendor and back from Jetto's Theme Park and Luke Morgenstern or go-carts or any of the perfectly lovely places it might have wandered in the course of the last paragraph, and sit it back down in your living room on that evening in November.  You were telling me a story, me and your rabbit.  You began the story because he had never heard it, but you let me hear because I was there anyways, and its a good thing I was, because otherwise you'd have no one to remind you now.

The story took place during the summer.  You had managed to find a rod and line in an old fishing kit under your bed.  The water was quite low, as you remembered, and the bottom was plain to see.  On the bottom, nestled into the pebbly river bed, a little sliver fish swam round and round in circles.  As she did, she pushed the rocks out, with the current of her ceaseless swimming, into a ring.  You cast your line up stream a few times, out to shady spot where Toungore Rd. crosses over the stream,  and as your hook bounced back to you in just a few inches of water, you thought  how easy it would be just to wait for this convenient, little fish swimming in circles.  So you did.

You lowered your line into the water, laid it down in her circle of rocks, and waited.
You said you remembered holding her in your hand, and that you pulled the hook out and ran a bright green cord into her mouth and out through her gill.  Then you put her backing into the stream and staked the cord to bank. You cast your line back up the stream and as it bounced back over the rocks you watched two long black fish with whiskers swim over to the little circle of rocks.  It was many years ago and you had yet to learn that to love and to have a thing were quite different: that to care for and to own were worlds apart.

She swam hard against the cord, lunging back toward her nest, just a few feet away.  You knew then that it was her nest, but when you were telling your rabbit the story you left out this little revelation.  You explained that she was startled at being taken out of the water and staked.  Which she must have been, in part.  But this, you knew, was not the whole story.  Your rabbit knew it too, but you had a very Zen sort of  rabbit who always sat and listened until you gave him his turn to speak. Nonetheless, you let the silver fish tug away at the line and watched as the black whiskery fish began sucking at the stones in the nest.  Slowly they lost interest, and so did you in the whole business of fishing, and you packed up your things to go.

“But what about the silver fish”, asked your rabbit, as you had hoped he would.  “I let her go”, you told us.  She looked quite confused and when you put her back in the water.  She swam over to her nest for a moment and then away up stream.  “It was a sort of cheap sport to have lured her in the way I did,” said you.  “But I outwitted her fair and square, and that's all that fishing is,” you added quickly.  Your rabbit nodded in agreement, he had missed some of the story and wasn't quite sure what had happened, but maybe you weren't either.  The trick that you had learned so many years before at the slush-puppy vendor was coming in handy.  I thought to say something to you about it then, but we were getting hungry and it was time for a rice cake.  Perhaps you understand now, or then again, perhaps not.

By Marvin Tunney


Summer Again

Mr. Murray was our 5th grade teacher.  I remember one afternoon he took me and Booker T. Harris out to get the popcorn for our class party.  It was our last day of school before summer vacation.  I got to sit in the front seat of his car and had a swift view of New Orleans, way outside the familiarity of my native neighborhood.
The sun was shining and there seem to be more people walking along the streets on the sidewalks. 
Suddenly Mr. Murray said, “Boys, I want you to see something.  You both know that this is your last day of school and we will have a long summer vacation.”
I must have been daydreaming, because I woke up thinking about waves of water splashing up against old rocky walls of ancient prehistoric mountains. 
Mr. Murray said, “You see that shoe shine stand over there, on the corner with the green and white awning?   That’s where I will be working during the summer.  Both you boys must find your joy as you grow older.  You must continue your education and strive for something to do greater than teaching and shining shoes”. 
Mr. Murray and I locked eyes and he smiled as if he knew what I had been dreaming about.  Or was I dreaming?  It all seemed so real to me in that moment.  Did he see the sailing bubble we were in almost touching the edge of the rocky cliffs?  
Soon we were back at the school.  I don’t ever remember anyone getting out of the car to get the popcorn.
It wasn’t until the summer of 1985, while driving my tangerine color Toyota Corolla up the Pacific Coast Highway, once again I faced those scenic, prehistoric, ancient, rocky cliff mountains, falling majestically into the ocean.  I was spontaneously surprised and playfully excited to feel this moment again.   
I had just graduated from Calarts, on my way to teach my first dance class at Santa Barbara Community College. 
Tonight, I’m on Alaska Airlines, going home to Seattle to visit with my mom.  I always go home for my birthday, which is July 30th.  I will be there for a week, then, I will be flying to Paris and Edinburgh, Scotland for the Theater Festival. 
I believe I found my joy in dancing, and my inspiration to teach.

By Madeleine Suarez


Immigration feelings
Once upon a time, I arrived to a new country. Immediately I learned one thing: I was not prepared for so many changes. My first objective was to adapt as soon as possible, but my possibilities were no according with my desires. I became unstable; my moods were affected because my foundation was another and I don’t know how to walk on a strange environment. Everything was different, even the facial expressions that comes with the language, neither I understood the words I studied long time ago. Although I knew some people from my native country, they were so affected by a very deep transmutation, that I couldn’t recognize their behavior; I could not predict the answers, the projections. I felt lost and ashamed. Without intention, I could hear myself expressing my beliefs in the wrong now days most commonly way to do it.

I was looking for a new free live, but I do not how to handle it. Now I have to run, to struggle with the person I was, hopefully I am changing too. For the best? I hope so.

Even the phrases that conformed or amaze our personalities are obsoletes, for example, “little details”. There is no time for me to invest time in “little details”.

Surrounding us was an army of supportively family members doing their best to reorient us into the new universe. Sometimes we can achieve their guidance’s; in certain moments, our comprehension of their statements was not truly right.

Time is money. In addition, we lost a lot of it hidden ourselves in our caves, while we were trying to process the information.

To be continued. Let’s see what happens in the future.

Miami, January 29, 2002